the semi-finalist is:                              notes of persistent awe:

Kendra larson
7/13/2021
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2021, acrylic on canvas, 36" x 24"
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Under a very big sky
works by:
BILLY GRUNER
deborah dancy
ELLEN WEIDER
​JASON TRAVERS
MICHEL CARMANTRAND
ulla pedersen

Image: Deborah Dancy, Mapping An Afterthought, 2021, Oil on canvas, 38" x 34"
The Semi-Finalist's 2nd summer group post.


michelle ross
5/3/2021
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Scribed
2021, acrylic, oil, fabric, plaster, tape, pastel chalk, and graphite on panel, 23.75 x 30" 

​photo by  Mario Gallucci
This month on The Semi-Finalist I’m pleased to present my interview with Michelle Ross. In it she talks about de-centering, her competing aesthetic impulses, and making sense of the last four years.

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james o'keefe
3/7/2021

For this installment of The Semi-Finalist, James O'Keefe talks to me about Nothingness, life in the Mojave Desert and the impulse to work in a reductive style. 


Laurie danial
12/24/2021

Cock of the Walk, 2020, oil on panel,
​26" x 23 1/2" 
​photo by Rebekah Johnson
Writing about art hints at what is there, but it almost always, and quite understandably, falls short. To stand in front of Laurie Danial’s work is a reminder of this.

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Heidi schwegler and the yucca vally material lab
11/15/2020

Heidi Schwegler on the grounds of the Yucca Valley Material Lab with her sculpture, "Manders."

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RACHAEL ZUR
8/25/2020​​

Fearless/Tender

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Here and there, mostly there.
Work by:
Altoon Sultan
Andrea Borsuk
Ashlynn Browning
Benjamin Terrell
Karen Schifano
​Tom Bunnell.

7/1/2020

Image: Karen Schifano's "Yes, Go"

The painters that I am drawn to all seem to have a few things in common, even when they’re not exclusively painting. 


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​BRENDEN CLENAGHEN
5/17/2020

“If you could say it in words, there would be no reason to paint.” ​​​​

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The Pandemic issue
4/8/20

The moment that we're in can be strange, frightening and full of uncertainty. One bright spot, however, has been communicating with past Semi-Finalists and finding out that they are all doing reasonably well...

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TIA FACTOR
2/24/2020

My introduction to Tia Factor's artwork was Private Places, her show at Oranj Studio that was curated by Pamela Morris in 2018. At the time I was reading about Nicolas Poussin, the 17th century French Baroque painter known for elegantly balanced landscapes as well as biblical and historical scenes.

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RALPH PUGAY
1/12/2020

When I visited Ralph Pugay’s studio last month, I was immediately drawn to a small painting of a partially dressed man in a desert at night. He is sitting on the ground near the top of the picture, casually reclining under the light of the moon. Three figures -presumably in graves- are buried deep beneath him, exposed by a  cutaway composition that lets us peer into the earth.

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IVÁN CARMONA
12/1/2019

My first encounter with Iván Carmona’s work was seeing Imprint of Place, the two-person show that he was in last year at PDX CONTEMPORARY ART with Liz Rob. I went during the first Thursday opening and the gallery was filled with supporters, collectors, and casual onlookers, but I remember immediately feeling like I was the only person in the room. 
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CARA TOMLINSON
​8/2/2019

A few weeks ago I was fortunate enough to visit the studio of Cara Tomlinson for a Semi-Finalist interview. I've followed Cara's work since the early 1990's and have always been drawn to her subtle use of color and the scale of her forms. She somehow makes her compositions appear both intimate and monumental at the same time, a combination that has kept me coming back to look at her work again and again.

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AMY BAY
3/19/2019

I first met Amy Bay about a year ago when I attended one of her ART HOUR discussions at Private Places, an exhibition space in northeast Portland. The show, Teeth and Consequences, was both thoughtfully curated and rough around the edges in all the right ways.

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​DOUG DAVIDOVICH
12/7/2018

I recently had the chance to visit with Doug Davidovich at his studio in Portland, Oregon. If you haven't had the pleasure of meeting Doug, the first thing you'll notice when you do is that he's a big, angular guy. And in my opinion, his artwork invariably resembles him. Even when he's working small, Davidovich's prints and paintings seem larger than the surface that they're on.

benjamin terrell on jovencio de la paz
5/6/2021

Image: Jovencio de la Paz, Bionumeric Organisms 2.0, 2021 handwoven TC2 textile and canvas, cotton, 36" x 24"




benjamin terrell on brian scott campbell
3/10/2021

Image: Brian Scott Campbell, Someday, flashe on canvas, 20" x 16", 2020


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Benjamin Terrell on Joan Nelson
12/20/2020

Image: Joan Nelson, Untitled, 2020, spray enamel, acrylic ink and marker on acrylic sheet, 24H x 24W in

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Benjamin Terrell on lois dodd
11/19/2020

The Semi-Finalist is proud to announce that Benjamin Terrell will be joining the team and contributing a regular column titled Notes of Persistent Awe. He recently wrote about the poetic, understated paintings of Lois Dodd that were shown last month at Adams and Ollman in Portland, Oregon.

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BENJAMIN TERRELL ON THE WORK OF HAROLD ANCART, JOHN DILG AND HELEN MIRRA
10/10/2020

Image: Helen Mirra's "Pale tying bale edging."
Photo courtesy of The National Exemplar

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BENJAMIN TERRELL ON KEVIN MCNAMEE-TWEED
9/6/2020

Artist and writer Benjamin Terrell recently wrote about the enigmatic work of Kevin Mcnamee-Tweed. He describes his piece as "...a COVID column written without a gallery visit, inspired by a new book and Instagram." ​

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